Tag archives for art

Top 100 Spiritually Significant Films

Apparently the list of top 100 spiritually significant films is just the thing you need “if you want to explore and wrestle with spiritual issues and questions in the wide world of international filmmaking” and “is a monument to a history of people speaking a different language about eternal concepts, testing this new grammar of light, texture, and rhythm as it contacts the contours of faith and reality.”

Well, to be honest, I’m not sure about all the above, but the list is interesting to browse and get possible movie night ideas from. Sadly, after a quick scroll, I think I’ve seen about 5 of these movies. I found the list after googling info on Chariots of Fire which I just watched for the first time this past weekend. Good little movie. Must see. It’s surprising to see religion/Christianity treated so explicitly. I do enjoy what’s perhaps the most well-known line from the movie apart from its theme song:

I believe God made me for a purpose, but he also made me fast. And when I run I feel His pleasure.

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Let the One Who Will Be Raised Be Given for Them

I wrote this some time ago and just now decided to publish it. I’ve been making corrections since publishing which means I should have read carefully before publishing. In fact, I’m adding these introductory lines after publishing! Oops. Let me know if it strikes a chord. Let me know if I’m heretical, ’cause that’s one thing I’m not interested in.

===

In heaven a mighty council convened
seeking one capable of humans redeem.

Approaching the throne, asking each one,
“Send I, I can get the job done.”

“Yes, you, I am able to raise
for it’s by my Spirit and to garner my praise.

“You, however, are unable to bear
the sins of the many and the wrath poured out there.

“There is none other who can open the scroll
than my Son incarnate, Messiah foretold.

“The task is one of putting to death
so that through death the many may resurrect.

“Let the One who is perfect be given for all;
a remedy applied, a consequence of the fall.

“Let the One who will be raised be given for them;
lest they die in vain a propitiation for sin.

“Let the One who will be raised die for them;
Zimri approached but burning with sin.
‘Atone for your own’ is where he was told to begin:
impotent in guilt, impotent others to win.

“The One for the many is where he was told to begin:
bearing the burden without, shielding the elect within.

“Let the One who is perfect be given for them,
a matchless sacrifice presented to make many his kin.”

Therefore let the One capable be given for us
not that we can demand or imply that God must
but he has created us modeled after his being
thus it pleases him us to be freeing.

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World Press Photo of the Year 2008

Check out the winners gallery of the World Press Photo of the Year 2008 competition. What a crazy world we live in. More goes on outside of our little spheres than we can ever imagine. This is just a glimpse.

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16 Billion Pixel ‘Last Supper’

And you thought your digital camera rocked. Try on Da Vinci’s “Last Supper” in 16 billion pixels for size. Yahoo News has more:

MILAN, Italy – Can’t get to Milan to see Leonardo Da Vinci’s masterpiece “The Last Supper?” As of Saturday, all you need is an Internet connection. Officials put online an image of the “Last Supper” at 16 billion pixels — 1,600 times stronger than the images taken with the typical 10 million pixel digital camera.

The high resolution will allow experts to examine details of the 15th century wall painting that they otherwise could not — including traces of drawings Leonardo put down before painting.

The high-resolution allows viewers to look at details as though they were inches from the art work, in contrast to regular photographs, which become grainy as you zoom in, said curator Alberto Artioli.

“You can see how Leonardo made the cups transparent, something you can’t ordinarily see,” said Artioli. “You can also note the state of degradation the painting is in.”

Besides allowing experts and art-lovers to study the masterpiece from home, Artioli said the project provides an historical document of how the painting appears in 2007, which will be valuable to future generations of art historians.

Although there appeared to be problems with the Web site late Saturday, it was accessible earlier in day.

The work, in Milan’s Church of Santa Maria delle Grazie, was restored in a painstaking effort that wrapped up in 1999 — a project aimed at reversing half a millennium of damage to the famed artwork. Leonard painted the “Last Supper” dry, so the painting did not cleave to the surface in the fresco style, meaning it is more delicate and subject to wear.

“Over the years it has been subjected to bombardments; it was used as a stall by Napoleon,” Artioli said. The restoration removed 500 years of dirt while also removing previous restoration works that masked Leonardo’s own work.

Even those who get to Milan have a hard time gaining admission to see the “Last Supper.” Visits have been made more difficult by measures to protect it. Twenty-five visitors are admitted every 15 minutes to see the painting for a total of about 320,000 visitors a year. Visitors must pass through a filtration system to help reduce the work’s exposure to dust and pollutants.

“The demand is three or four times higher, but we can’t accommodate it because of efforts to preserve the painting,” Artioli said.

Now you can enjoy a mellifluous a capella twinkle in the background as you browse this prandial painting.

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